Pinocchio antichristian hero. The code of birth in the
Sapere - tel. 049 614205 - Padova.
2000. Pages 210.
thing has made the fable of Pinocchio universal?
Neither the grace of the story, neither the literary
ability of the author. The
value of the message is much deeper and is referable to that
and conservation of the model of the relationships in the
familiar sphere that, in the opinion of Montefoschi, is all the
issue of Edipo. The
puppet, Edipo of wood, expresses the same restlessness that was
of Dante, Virgil, Dumas father and son and of the most eminent
histories of every time. It
is amazing the way in which Collodi replaces the message of
emancipation-liberation to the one of the Christian martyrdom of
the son on the wood of the cross.
From the physical matter, the wood, to the right to the
life and not, vice versa, to its negation.
From the investigation on the domestic nature of this
particular affection that pretends to limit the possibilities of
social emancipation of the children tying them to the debit and
the guilt as expressions of the familiar possession, derives
possession or liberation. The Collodian allegory eludes the
physiological press of the delivery:
not Saint Giuseppe, but G(ius)eppetto carpenter realizes,
by himself, the ritual of the creation, from the matter to the
subject, in clamorous controversy against the interference of
the Holy Spirit in the sexual competences of Maria.
The test considers the essential topics of an affective
praxis of emancipation:
the relation daughter-mother in which it is defined and
structured the fundamental concept of sexual difference.
Such difference is not a mere issue of male-feminine
gender, but a matter of generation! Of generational alternation
of the woman daughter in the place and in the role of mother.
negation of such difference is the base of every affective and
social de-generation. In
every time it is a difficult enterprise for the daughter to gain
her own identity of role, like a necessary refuse of the origin
in order to become in its turn creatress, without running into
the darts of guilt (original sin) launched from the divine and
matriarchal arrogance, in other words from who already holds the
As regards the son, here is the actual interpretation of Edipo :
does his affective debut really start from the desire to couple
with his mother? Is
it not rather Giocasta, in the double divine identity of Sfinge
and alienated woman, who always motivates to patricide, in the
ritual of substitution
of the husband-father with the son become adult?
From Edipo to Oreste to Amlet, also for the son the issue
is placed in the terms of a division from the original fusion in
order to rescue the phallus to the destiny of possession in
incest or of prescription to failure.
In this analysis, which considers the effective will of
the mother and of her power of influence on both sexes, the
coherent interpretation of affective significance of myths, of
the rituals and of the literature of every time is very
interesting. The monotheist Theocracy shows therefore its
valence of organized exposure of the psychology of the mother.
The spirituality and the magical suggestion are
manifestations of the affective power based on the supremacy of
the creation, that is of the delivery, its evocative immanence
in the real world.
notes of the author
Martella (Magione 1956) carries out in Padova and Mestre his
activity of Psychotherapeutist Psychologist.
Specialized in hypnosis and with analytic formation, has
been for eight years scholarship holder and investigator in the
Division of Oncology of Padova’s Hospital, and has been for
five years adviser in the domiciliary assistance to the sick
ones of cancer.
the participations on setting and psychotherapies in the
oncology conventions. From
1994 he carries out assignments of instruction in health ambit
and in the university diplomas of the Medicine and Surgery
Faculty of the University of Padova.
OF THE CONTENTS
IS A SHE
supremacy of the delivery
matriarchy in the monotheistic ideology.
Omnipotence of the sexual role and alienation of the
social subject. The
Eucharistic hymen. The
creation, sexual apparatus of commando. Once upon a time, the
reign of blood. The
poison at the mirror. To
pedagogy of the separation
the middle of life, the forest and the prison.
The delivery deferred in a world without mother.
An issue [matter] of belief.
primary sex and the incorporation
finds the witness [...]. The perversion of possession.
The lamp of Prometeo:
the genius and the enjoyment.
The refuse of the origin and the magic phallus.
DOUBLE and the BETRAYAL
defect of emancipation, the homosexuality
son of Mary. Ego
and Narcissus. Hysterias
of the virtual. The
bird of Wilde. The
negative value of feminine.
MORAL AND THE SCUM
defect of origin in the social metaphor
hereditary tare: gross,
refusal and incest. The
sacred family in the origin of the social anthropophagi.
To be born with fraud; better to be Barabba.
The pain is equal to the lack since the injustice is in
the premise. Presumption
is innocence. The immaculate deception.
[church – search]
DEFECT OF ORIGIN
undifferentiated identity and the psychosis
of the creed, the redemption of Ego and the process of semeiosi.
The certainty and the suprarenal.
The pot painted on the wall. Abuse and violence for the
cohesion of the herd. Racial
and vegetarians. Stuff
and style. The wall
of the occlusion. Ladies’ favourites.
SPHINX In the Social METAPHOR
patricide, paradigm of the slaughter
is the sphinx! Review
of the affections: Mafia,
mother native land and disease [sea, see].
Mother firm and the filial actions.
The capital religion.
From animal to the history.
My Mother, Father Pio.
The sexuality in the hand palm.
SKY and the MAP
conscience and liberation
effects and affections: the
map of the destiny. The
church is not a democracy.
Cosmology of the plague and physics of Illuminism.
REVOLT Of the MOON
sexuality of the daughter
love does not have masters.
Beauty and the Beast.
The force of pregnancy and the lycanthropy.
The wisdom of Lisistrata, the pedigree of Antonia.
When the finger indicates the moon.
and negation of the feminine role
very maternal ritual, anamnesis of the violence.
Giulietta’s face up.
As a joke can become true.
God hits and God heals. Smell of holiness.
The just way for Catherine.
The city that does not know to love.
The tram of saint Gustine. Scratch and win in stock.
The leak and [the lack, un-luck]the failure in mother
firm’s cycle. The
only property that has value.
EARTH and CELLOFAN [sky
a physics of the emancipation
time is relation. Misery
of the divine. No
society without the father.
Edipo does not
have guilt. In the
light of the sun, the sense of shadow.
Mother’s phallus and castration.
Obviously Pinocchio does not believe.
Frog rupta. The
foot of the snail. It
is the sky that wraps the earth!
ORESTE TO AMLETO
judgment of Athena. The
generation revolt. Abolition
of the family! For
a dialectic biological materialism.
The principle of the drift.
Penelope and the sail.
The unsolved of Amlet.
The old Europe that wants to be mother.
SWORD and the CLIFF
the matriarchy to the social civilization
of the sexual difference. The
war of the not-born brothers. The respect is reflected action.
War and cancer. The
anatomical bomb. Beyond
the conspiracy of shadow, the rooster still sings.
Slaughter. The sacred code of war.
The pregnant city. Apology
of the matricide. The
thaumaturg of Hamelin. Mutter
uber alles, a wall in the pillory.
Maramao is not dead!
impressions not to stop.